Home for the Holidays (1995, Jodie Foster)
For the first thirty or so minutes, Home for the Holidays is exactly the film its trailer presented. It’s a genial family comedy with a recognizable cast, a mix of standard casting choices like Charles...
View ArticleMalice (1993, Harold Becker)
Malice starts relatively okay, but it’s got a terribly flawed first half. Until the point Bill Pullman takes over as lead character, especially as Alec Baldwin and Nicole Kidman are spiraling through...
View ArticleCritical Care (1997, Sidney Lumet)
Critical Care opens on its main set–sets are important in Critical Care–with Helen Mirren (as a nurse) checking up on ICU patients. The ICU is a circle, Mirren rounding it by the end of the titles,...
View ArticleLove Potion No. 9 (1992, Dale Launer)
I wonder if there’s not a better version of Love Potion No. 9 out there somewhere. The film only runs ninety minutes and feels anorexic. Launer’s writing–even his narration for Tate Donovan–has these...
View ArticlePoint of No Return (1993, John Badham)
I can’t remember any good Hollywood remakes of recent foreign films. Point of No Return was supposed to be a big deal–Bridget Fonda getting the coveted lead was a big deal (she went on to say she’d...
View ArticleHoneymoon in Vegas (1992, Andrew Bergman)
Honeymoon in Vegas almost defies description. Bergman drags a sitcom out to ninety minutes. But he also makes his straight man—Nicolas Cage—act like a lunatic. Cage’s performance during the second act...
View ArticleThe Elephant Man (1980, David Lynch)
I am not being hyperbolic when I describe David Lynch’s narrative handling of The Elephant Man to be peerless. If I described it a splendid, there would be other films and narrative handling to compare...
View ArticleLove Potion No. 9 (1992, Dale Launer)
I wonder if there’s not a better version of Love Potion No. 9 out there somewhere. The film only runs ninety minutes and feels anorexic. Launer’s writing–even his narration for Tate Donovan–has these...
View ArticlePoint of No Return (1993, John Badham)
I can’t remember any good Hollywood remakes of recent foreign films. Point of No Return was supposed to be a big deal–Bridget Fonda getting the coveted lead was a big deal (she went on to say she’d...
View ArticleHoneymoon in Vegas (1992, Andrew Bergman)
Honeymoon in Vegas almost defies description. Bergman drags a sitcom out to ninety minutes. But he also makes his straight man—Nicolas Cage—act like a lunatic. Cage’s performance during the second act...
View ArticleThe Elephant Man (1980, David Lynch)
I am not being hyperbolic when I describe David Lynch’s narrative handling of The Elephant Man to be peerless. If I described it a splendid, there would be other films and narrative handling to compare...
View Article7 Women (1966, John Ford)
First, it’s actually 8 Women; Jane Chang doesn’t count because she’s not white. Though I suppose it could just be counting good Christian women, then Anne Bancroft doesn’t count. Women is a Western,...
View ArticleLove Potion No. 9 (1992, Dale Launer)
I wonder if there’s not a better version of Love Potion No. 9 out there somewhere. The film only runs ninety minutes and feels anorexic. Launer’s writing–even his narration for Tate Donovan–has these...
View ArticlePoint of No Return (1993, John Badham)
I can’t remember any good Hollywood remakes of recent foreign films. Point of No Return was supposed to be a big deal–Bridget Fonda getting the coveted lead was a big deal (she went on to say she’d...
View ArticleThe Elephant Man (1980, David Lynch)
I am not being hyperbolic when I describe David Lynch’s narrative handling of The Elephant Man to be peerless. If I described it a splendid, there would be other films and narrative handling to compare...
View Article7 Women (1966, John Ford)
First, it’s actually 8 Women; Jane Chang doesn’t count because she’s not white. Though I suppose it could just be counting good Christian women, then Anne Bancroft doesn’t count. Women is a Western,...
View Article
More Pages to Explore .....